but are available for other gigs if we
need them. Two of them were available and would have loved to have played
the gig.
We have their details now in our books and will call them next
time we need a dep.
(This is how we found our bass player
for a last minute New Year's Eve gig in London. He has worked with us
3-4 times since...)
Cost of this very fast prospecting::
Probably £5.00 in failed phone calls,
and £ 0.15 for 5 hours on the web!
CONCLUSION:
These are only two examples &
I could give you many many more.
I mentioned the 'speed', the 'area
of prospecting (i.e.. London or the
whole world) and the 'cost' of the prospecting.
These 3 factors are vital to a band
leader, a film director, an agent, a choreographer, a promoter,
a manager, an A & R man, a record company. We rely heavily upon
these three factors in the success of our operations.
We need 10 out of 10 in our choice of these three factors, plus an
additional factor:
the reliability of the communication
line. And the Internet is very secure
and reliable, and more so as time
goes on.
Four vital factors as a whole can determined whether we go bankrupt
or we succeed.
As an artiste, the last thing you want
is to have those who provide the
work go bankrupt, true?
A good reason why with FREESPIRIT, we take much care of our best agents:
if they go bankrupt... so do we...
and so do the musicians in the band
until another band ... another agent
comes along... but it can take months or years.
More and more bandleaders,
agents, promoters, managers, directors, record companies, choreographers
etc., etc.
are relying upon the Internet
and the web to run their business.
Having your web site gives instant access to
you & your creations
to any of the millions who browse
the web every day.
Including radios, record labels,
producers, managers, galleries,
agents etc etc.
Either you are part of the game,
or you're outside of the game
looking in.
This is your own personal choice.
So... WHY SHOULD
YOU HAVE
YOUR OWN WEB SITE ?
E-mail